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Net Neutrality - RIAA
Calls Upon FCC To Adopt Flexible Rules on ISP Anti-Piracy Measures
January 15, 2010
Calling
the Internet the future of music distribution and soon the channel for
the majority of music revenues, the Recording Industry Association of
America (RIAA), on behalf of the major music labels, submitted comments
to the Federal Communications Commission (FCC) encouraging the agency to
adopt flexible rules that allow Internet service providers (ISPs) to
implement anti-piracy measures that deter illegal downloading and enable
legal music services to flourish.
In its brief, the RIAA highlighted the music industry’s embrace of
various digital distribution models:
The music industry has fully embraced the Internet as a major channel
for connecting with consumers to market and provide access to our
copyrighted works. Sales of digital albums and digital singles continue
to break new records each year, as personal computers, portable devices,
and smart phones increasingly displace physical media as the primary
means for consuming music. For example, RIAA estimates that in 2009
digital downloads accounted for nearly 40% of legitimate sound recording
sales in the U.S. Accordingly, the industry has greatly expanded the
range of options available to consumers for accessing, listening to,
enjoying and experiencing music online as it continues to invest in
innovative online business models. Today, fans can listen to music
through streams, choose their favorite songs on demand, subscribe to
unlimited download services, or purchase their own digital copies. The
range of authorized partners spans over hundreds of companies from
iTunes, AmazonMP3, Rhapsody, Napster, MySpace Music and eMusic to others
such as Slacker, Artist Direct, Lala, Vevo, iLike, Last.fm, and many
others.
The RIAA further estimates that by 2011, more than half of the
industry’s revenues will be based on legitimate online consumption of
music. In sum, we expect that the Internet will become the recording
industry’s primary channel for communicating with customers and for
distributing content.
But the full potential of those licensed digital distribution models are
undermined by a glut of illegal file-sharing, which has inflicted
enormous damage on the creative industries generally. According to one
study cited by RIAA in its brief, by recent estimates copyright piracy
has caused more than $25 billion in direct revenue losses to core
American copyright businesses, costing the United States economy more
than 373,000 jobs. Within the music community specifically, the theft of
sound recordings has contributed to more than a 60 percent reduction in
workforce at the major record labels during the past decade.
Equally important is the profound impact of creative theft on American
culture. Submitted the RIAA:
Music is woven into the fabric of our lives. Each person has his or her
own personal soundtrack through which music connects the events
experienced in life. We therefore should not forget the social toll that
digital theft will have. As artists rosters are pared and future artists
opt for other careers, digital theft has the effect of quieting
countless voices we will never have the privilege to hear…As
singer-songwriter Lily Allen said, illegal file sharing “is a disaster
as it’s making it harder and harder for new acts to emerge.”
The RIAA also highlighted the ill effects illegal file-sharing imposes
upon users’ capacity to use the Internet for lawful purposes:
Piracy,
particularly piracy conducted by high-volume users, notoriously hogs
bandwidth. Peer-to-peer file-sharing services – a favorite means of
unlawfully stealing copyrighted material -- represent a huge portion of
the traffic on the Internet today. Based on recent estimates,
peer-to-peer file-sharing applications represent over 20% of the total
bytes that traverse the Internet and 17% of the bandwidth used during
peak hours. Moreover, in an average month, the top 1% of subscribers
account for 25% of total Internet traffic, and 40% of the upstream
traffic; over 46% of top subscribers’ traffic comes from file-sharing
applications. So too in the mobile context, where, by recent estimates,
peer-to-peer file-sharing is the “single largest factor leading to cell
congestion,” taking up 21% of bandwidth on the average cell and 42% in
the top 5% of cells.
Put bluntly, huge amounts of the Internet’s bandwidth are tied up in
unlawful traffic. Piracy wastes scarce network resources and crowds out
legitimate uses of the network. It costs more to bring broadband to
additional areas because of this inflated bandwidth usage. As we, along
with our partners launch music services depending on higher bandwidth,
we have a particularly strong interest in ensuring an Internet in which
media applications – which, unlike file-sharing applications, have a low
tolerance for network delay – can function smoothly and without the
network congestion caused by piracy-inflated traffic.
ISPs play an essential role in enabling the growth of legitimate music
distribution channels by implementing network management practices that
discourage the exchange of unlawful copyrighted works. Specifically, the
RIAA argued:
ISPs are in a unique position to limit online theft. They control the
facilities over which infringement takes place and are singularly
positioned to address it at the source. Without ISP participation, it is
extremely difficult to develop an effective prevention approach. We thus
urge the Commission to adopt rules that not only allow ISPs to address
online theft, but actively encourage their efforts to do so. Crucial to
this project, the Commission must ensure that its Open Internet rules do
not have a chilling effect on such efforts.
“The future of the music community is dependent on a healthy and vibrant
digital music marketplace,” said Mitch Bainwol, Chairman and CEO, RIAA.
“ISPs play an essential role in fostering that legitimate marketplace
and discouraging the illegal trafficking of copyrighted works. We
foresee a future where ISPs are our partners, enabling new business
models and delivering new content to fans in ways unimaginable today. We
hope that any final rules established by the FCC reflect this
forward-thinking reality and support ISP action against unlawful
activity for the benefit of fans, creators and for the rich fabric of
American culture.” |